oward wrote this number into the play which he will be eternally celebrated, Private Lives (1930), thereby ensuring its success: the hit play advertised the play. A great piece of marketing; but the song's plangent sweetness ensured its immortality: it became one of his best sellers.

Produced by Craig Armstrong. Keyboards and programming: Stephen Hilton. Additional programming: Richard Norris. Orchestra arranged and conducted by Craig Armstrong. Orchestral contractor: Isobel Griffiths. Orchestra: Violins: 1st: Gavyn Wright, Rolf Wilson. Leader of 2nds: Roger Garland, Boguslav Kostecki, Dave Woodcock, Mike McMenemy, Wilf Gibson, Alison Kelly, Peter Oxer, Dermot Crehan, Vaughan Armon, Perry Montague-Mason. Violas: 1st: Peter Lale, George Robertson, Bob Smissen, Katie Wilkinson. Cello: 1st Martin Loveday, Cathy Giles, Tony Lewis, Paul Kegg. Bass: Chris Laurence, Mike Brittain. Harp: Skaila Kanga. Oboe: John Anderson. Horns: 1st: Richard Watkins, Hugh Seenan. Engineered by Andy Bradfield and Rupert Coulson. Mixted by Andy Andy Bradfield and Craig Armstrong. Assistant: Ricky Graham. Recorded and mixed at Air Studios, London. Shola Ama management: Paul Kennedy and Robbie Ringwood @ 12 OneMgmt. Craig Armstrong management: Sandy Dworniak @ This Much Talent. Special thanks to Sarah Dolan and Callum McGeoch. Shola Ama appears coutesy of Freakstreet/WEA Records. Craig Armstrong appears courtesy of Melankolic/Virgin Records. (P) 1998 Warner Music UK Ltd under exclusive licence to EMI Records Ltd.